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Of Flutes
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| 10/30/09 |
Of Flutes SAM GOODYEAR
ART BEAT Though it is a truism, it is perfectly true that, on getting up in the morning, one just never knows what the day will bring. My Saturday morning is a carefully structured sequence of events, which includes making sure my two dogs are properly exercised and worn out for a long day of rest while I drive to Binghamton and back for my eight-hour shift on WSKG. There is a lot to attend to and time is short. Still, this past Saturday I squeezed in a quick errand at the Artisans’ Guild on Main Street in Oneonta (which warrants a whole column on its own) and emerged 10 minutes later full of wholly unanticipated wonder and enlightenment. The gentleman manning the shop was making music. On a huge (and I mean huge – very long, very wide ) wooden flute whose sound was reminiscent of the sonorous vibrations of an Australian didgeridoo. Spread out before him on the countertop was a collection of smaller flutes, each one from a different wood and of a different color and grain, each one masterfully hand-carved, each one a work of art. The flutist also happened to be the creator of these exquisite objects, which he calls Native American Style flutes. Meet Jim Verrelli, craftsman and musician extraordinaire who claims to be an "amateur" woodworker and instrumentalist. You could have fooled me. Since first purchasing a Native American flute in 2006 and falling in love with its essence and its sound, Mr. Verrelli has made well more than 100 versions of his own in countless sizes and out of all sorts of types of wood (curly cherry, purpleheart, zebrawood, paduk, lace/leopard wood…). "The flute is an energy conduit between one’s soul and the world," says this "amateur." He is a passionate expert on the entire gamut of a flute’s being: the wood, the finish, the ornamentation, voicing, tuning, key, scale, tonal range… Not only is this gentleman modest, he is also deeply respectful of the tradition which has captured his heart. He emphasizes his adherence to the Indian Arts and Crafts Act of 1990 and the Indian Arts and Crafts Enforcement Act of 2000. "I am not an ‘Indian’ and do not represent my my flutes as being ‘Indian’ made," he says. "I have great respect for the native culture and use the word ‘style’ to distinguish my flutes from Native American flutes made by native flute makers." The prerequisite for a true amateur – and professional, for that matter – is the word’s origin: love. Mr. Verrelli certainly has that, and then some. Your appetite whetted? Let yourself come under the spell at www.jimsflutes.com Sam Goodyear’s column on the arts appears weekly.Labels: 11-06-09, art beat |
posted by The Freeman's Journal @ 12:00 AM   |
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Otsego’s Battlin’ 121st Honored In Full Study
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County’s Farm Boys Fought Civil War’s Bloodiest Fights
JOHN K. TYLER, Company G, Worcester How they marched, how they fought and they bled; "How few there came back without blemish. And the many they left with the dead. "From South Mountain to old Appomatox "Our battles were more than a score; "And they said when we passed in review, "‘There’s the pride of the fighting 6th Corps’."
By JIM KEVLIN
 Over three Civil War years, 1,900 men served in the 121st. Only 330 came home. The 121st participated in 25 major battles, from Antietam to Appomattox. Its soldiers won six Medals of Honor, the nation’s highest military award. Famously, the 121st captured Robert E. Lee’s son, Custis, three days before the final surrender. "These were just ordinary young men" – from Burlington Flats, Cherry Valley, Cooperstown, Oneonta, Schenevus and points in between – "who did really extraordinary things," said Joe Covais of Winooski, Vt., a Civil War buff since before his teen-age summer in the Herkimer County Historical Society’s reading room. "They were placed in extraordinary circumstances, and they performed." Covais was talking about the 121st New York Volunteer Infantry Regiment from Otsego and Herkimer counties, mustered in on Aug. 23, 1862, after Lincoln called for 300,000 volunteers to save the Union. There were 200 regiments from New York State alone, and thousands from across the United States, but the 121st is now the focus of 586 gripping pages: "Upton’s Regulars," by Salvatore G. Cilella Jr., just published by the University Press of Kansas. Sal Cilella, an alumus of SUNY Oneonta’s Cooperstown Graduate Program in Museum Studies and now president of the 33-acre Atlanta History Center, packed the house when he spoke to local historians at The Farmers’ Museum’s Louis C. Jones Center on Oct. 15. The lecture was moved when it was clear the 138-member crowd would exceed the 120-seat auditorium at The Fenimore Museum. Cilella spent that day and the next talking to similar capacity crowds at NYSHA’s annual October Conference For Teachers. And before he returned to Atlanta, Cilella and NYSHA administrators had agreed to mount an exhibit related to the 121st, to open on July 1, 2012, the 150th anniversary year of the mustering in Aug. 23, 1862, at Camp Schuyler, Herkimer County. Connecting with Covais, who provided Cilella with three boxes full of files and photos on the 121st was one of the high points of the author’s research, he told The Farmers’ Museum audience. Cilella had happened upon an edition of Isaac O. Best’s 1921 "History of the 121st," updated by Covais, and through the publisher, Butternut & Blue, learned he’d been living in Middlebury, Vt. Foiled in efforts to locate Covais, Cilella called a local bookstore. "This guy comes in here," Cilella was told. "He likes the Civil War." They gave Cilella Covais’ name and his number in Winooski. (The two men had talked of collaborating on "Upton’s Regulars," but Covais, suffering from diabetic retinopathy, lost his sight and had to withdraw.) Another eureka moment came while poring over microfilmed copies of The Freeman’s Journal in the NYSHA library. Cilella had been trying to find Joseph Beckwith’s memoir of his times with the 121st, to no avail. There, in the final paragraph of an article from 1892, it was mentioned that the Mohawk Democrat had been publishing it as a series. In that Herkimer County newspaper, Cilella found the whole thing. Of all the regiments that fought in the Civil War, the 121st deserves this attention for a lot of reasons, Cilella said. For one thing, primary sources – letters, diaries, memoirs – were available to write "a sociological study in a military setting." In particular, Cilella was impressed by the soldiers’ "egalitarian attitude toward the Army. They actually signed petitions to have officers removed, and they were successful. How they ever got away with this, I don’t know." The Internet helped the author connect with descendants of 121st members, including the Mabie family of Roseboom and Westford, who provided original correspondence from ancestors Allen and John Lovejoy of Company G. Another reason was Emory Upton, the 121st’s commander, who was called "brilliant" and a "genius" in Maj. Gen. James H. Wilson’s introduction to "The Life and Letters of Emery Upton," published in 1885. As a lieutenant, Upton fired the first shot in the action that led to Bull Run, the war’s first battle, and fought beyond Appomattox, in mopping up operations in Alabama. The tactics he devised, both during the war and following international study tours at the Army’s behest in the years that followed, were used well into the 20th century, Cilella said. Upton was a general, commander of The Presidio in San Francisco, when – stricken by constant headaches caused by a sinus disorder – he committed suicide in 1881. We think of "shell shock" and PTSD as modern ailments, but Cilella wonders. Beckwith "seemed to be pretty normal," Col. Egbert Olcott, who brought the survivors home, died in an insane asylum in Utica. One soldier after another died an unexplained death, from wagons turning over or drownings; Cilella wonders how many may have been suicides, and suggests this as a topic worthy of future research.
BUY THE BOOK: Cilella’s "Upton’s Regulars" has been specially stocked at the Green Toad Bookstore, Oneonta.
ON THE WEB: Cilella discusses the 121st on his blog: http://nycivilwar.wordpress.com/Labels: 11-06-09, Frontpage |
posted by The Freeman's Journal @ 12:00 AM   |
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Narrative History At Its Finest
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Narrative History At Its Finest DOMINICK J. REISEN BOOK REVIEW
In his just released book, "Upton’s Regulars: The 121st New York Infantry in the Civil War," Salvatore G. Cilella Jr. recounts the history of this unit which was formed in Otsego and Herkimer counties. This is the first full scale history of this unit since Isaac Best’s history was released in the 1920s. However, unlike that earlier history, Cilella’s work is free from the self-congratulatory tenor of Best’s work. This new tome is narrative history at its finest. Cilella opens his work with a review of Otsego and Herkimer counties in the 1860s; giving very brief overviews of the history and contemporary state of the region. He then goes into a lengthy discussion of the raising and organization of the unit under Congressman Franchot. He exposes Franchot as an admirable organizer but incompetent military commander who was soon replaced by Charles H. Clark. Clark is characterized by Cilella as being "the forgotten commander," as indeed he has been in history. After this short interval Emory Upton, who hailed from Batavia, took command. Upton receives steady and well-deserved praise throughout Cilella’s book. Under his command, the unit was welded into a disciplined fighting force with spectacular results at the battle of Rappahannock Station in 1863. Before that pivotal battle, Cilella writes, "the boys from Upstate New York had witnessed the horrors of Antietem, participated in the debacle at Fredericksburg, been decimated at Salem Church, and suffered through a 500-mile round-trip march through Gettysburg." That was all in its first year of existence. One of the book’s noteworthy features is the way it blends military history political history, at the national, state, and county levels. Each battle pertinent to the history of the 121st New York Infantry is recounted in such detail as to satisfy the most demanding military historian. Strategy of the military leaders is discussed as well as the results of their battle plans. Military mistakes and blunders as seen through the eyes of the men of the 121st are treated equally with the brilliant military successes. Additionally, Cilella discusses politics to illustrate its effect on the troops in the field. As the Lincoln Administration changed its war aims from the salvation of the Union to the freeing of the slaves, the reader understands the sentiments of the men in this unit. Their rejection of the idea of fighting to free slaves softens as they witness the desolation of Pennsylvania on their march into Virginia. John Kidder of Laurens is quoted as saying, "Since we returned to Virginia after the Battle of Gettysburg, the soldiers have all got to be abolitionists." On the statewide level, the reader sees how the activities of the Peace Democrats and the Copperheads, the war opponents of the north, angered the men of the 121st. Several times Cilella quotes letters from these men as they reveal their hatred of these opponents. He also shows their jubilation as the Peace Democrats lose the 1862 election in New York. Particularly hated was New York Governor Horatio Seymour, who was perceived as hindering Lincoln’s prosecution of the war. All of these themes are echoed at the county level in the various newspapers which are also quoted repeatedly in the book. In researching this book, Cilella, a graduate of the Cooperstown Graduate Program, utilized the extensive primary source material available, some of which he has collected. He made great use of the excellent research library at NYSHA. However, he also relied heavily on the talents of the many local historians throughout Otsego and Herkimer counties who aided him with primary source material, images, and research leads. Indeed, at an informal discussion held at the NYSHA library, Mr. Cilella thanked many of these local historians for their invaluable assistance. This monumental work is sure to be the standard history of the 121st New York Infantry for the foreseeable future.
Dominick J. Reisen is former president, Otsego County Historical Association, and author of "Middlefield and the Settling of the New York Frontier: A Case Study of Development in Central New York, 1790-1865."Labels: 11-06-09, Book Review, Frontpage |
posted by The Freeman's Journal @ 12:00 AM   |
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Weekend Best Bets
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Hit Band O.A.R.
Due At Hartwick ONEONTA
O.A.R., nationally known for their hit, "That Crazy Game of Poker," will perform in concert at 8 p.m. Friday, Nov. 6, at Hartwick College. Tickets $35 at door, or check bindera@hartwick.edu. CUTTING-EDGE FOLK: John Gorka,the "preeminent male singer/songwriter of the ‘new folk movement’," plays at 7:30 p.m. Saturday, Nov. 7, at The Otesaga. Adults $20, senior citizens $15, full-time students 13 and older $5. ANTIQUE HEAVEN: Get your treasures appraised and dip into the offerings of 20 dealers at the GOHS’ annual Holiday Antique Show 10 a.m.-4 p.m. Saturday, Nov. 7, at St. Mary’s School, Route 7, Oneonta. OLE! "Juerga Flamenca!" performs the traditional Spanish dance at 2 p.m. Saturday, Nov. 7, at the Oneonta Elks Club, 86 Chestnut. $10.
FUN NIGHT: Live music, participatory art, food and movies are among offerings at The Fenimore Art Museum’s "After-hours" Family Fun at 7 p.m. Saturday, Nov. 7. $5 adults; kids and NYSHA members, free.
MOM TO MOM: A mommy-to-mommy sale – clothing, books, furniture and more – is Saturday, Nov. 7, at Brookwood School, Toddsville.
VETERANS SPEAK: Tony Drago, Tony Mongillo and John Stevens will discuss their WWII experiences at 2 p.m. Sunday, Nov. 8, at the History Center, 183 Main St., Oneonta. All vets welcome to participate. Exhibit: "Oneonta and World War II."
THEN, CONCERT: At 3 p.m., the Oneonta Community Band will "Salute The Veterans" in concert at the Oneonta Theater, 47 Chestnut. Labels: 11-06-09, Frontpage |
posted by The Freeman's Journal @ 12:00 AM   |
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